Monday, September 28, 2026

REVIEW: A Wall is Also a Road by Annalee Newitz (5-stars)

I really enjoyed this book. Writing a novel from an alien perspective is a unique challenge, and Newitz handles it with confidence and creativity. Gardenpath, our protagonist, comes from a distant galaxy where gender doesn’t exist. They’re an amoeba — a Rational person — studying at the Memory and hoping to excel in a program that will allow them to become an investigator. Their people experience time differently and use teleportation as a matter of course, so Earth has long been dismissed as a lifeless rock. Gardenpath’s decision to research Earth is already a break from cultural assumptions.

Newitz builds the Memory with impressive cohesion: how Rational people move, communicate, express emotion, and interact feels fully imagined. I especially enjoyed the interpersonal dynamics on campus between Gardenpath and their friends, adversaries, and professors. The academic environment feels lived‑in — there’s genuine competition among students, supportive and wise mentors, and maybe a few corrupt professors, tolerated in ways that say a lot about the institution. These relationships give the Memory a social texture that makes Gardenpath’s ambitions and struggles feel grounded.

As Gardenpath begins traveling to Earth more frequently, Newitz introduces one of the novel’s most interesting structural choices. About two‑thirds of the way through, the narration shifts to she/her pronouns while Gardenpath is on Earth in a female‑appearing body and using the name Peristyle. When the story returns to the Memory, the pronouns revert to they/them. It’s a subtle way of showing how embodiment and context shape identity — and it also highlights Gardenpath’s discipline as a researcher. In fieldwork, there’s always the risk of “going native,” losing the critical distance needed to study a culture. Gardenpath’s best friend, Oriel, and their informal advisor, Column, both warn them about this, encouraging them to maintain boundaries and stay honest with the people they meet on Earth. Gardenpath manages to keep the perspective of a foreign scholar, navigating Earth with curiosity rather than assimilation. Readers interested in this theme might explore identity shifts in field research or gender fluidity in alien narratives.

The Earth subplot provides a strong counterpoint. Gardenpath’s repeated visits to Pompeii, their friendship with Murtis, and their gradual understanding of gender all build naturally on the emotional and intellectual groundwork laid in the campus chapters. Moving between the Memory and Earth creates a rhythm that lets their internal growth unfold across both worlds, and the contrast between settings keeps the narrative fresh.

Gardenpath’s “galaxy suit,” which lets them pass as human by configuring itself to mimic other people, is a great device — especially once you add tentacles. There’s some amoeba sex, people sex, and interspecies sex; it’s not excessive, and it feels like a nod to Octavia Butler’s Oankali in Lilith’s Brood. It fits the story’s exploration of embodiment and identity without overwhelming the plot.

By the end, Gardenpath and their cohort gather enough evidence to permanently oust the toxic professor — a figure who literally injects students with toxins and interrogates them like captives. The students’ decision to found a new institution, New Memory, feels like a natural extension of their growth and opens an intriguing direction for future novels.

I loved the ending, and I’d happily read more about Gardenpath in whatever comes next. This was a fun, imaginative read that balances worldbuilding, character development, and thematic curiosity in a way that really worked for me.

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